Monday, December 29, 2008

Shea announces Macy's New Signature Kitchen

Macy's dedication to quality food is highlighted through its consortium of national celebrity chefs including Todd English, Wolfgang Puck, Cat Cora, Rick Bayless, Tom Douglas, Andrea Immer, Marcus Samuelsson, and others. The Macy's Culinary Council is focused on bringing the finest quality food and beverage options to the Macy's environments.

In order to further highlight the Culinary Council, Shea worked with Macy's to design an environment called Signature Kitchen that would feature a small grouping of fast casual concepts that showcase the individual chefs' personal menus and products.

Shea designed a prototype featuring three individual concepts that are united by Macy's signature look, including quality finishes, fabrics and lighting, but it also allows each chef's brand to stand out with customized materials, graphics and signage. As Macy's implements the Signature Kitchen concept throughout the country, they will choose which chef concepts to include based on various demographics.

The first Signature Kitchen concept was unveiled in South Coast Plaza in Costa Mesa, California, in late 2008. It features CCQ by Cat Cora, La Brea Bakery by Nancy Silverton and Marc Burger by Marcus Samuellson. Macy's plan is to roll out Signature Kitchen in multiple stores nationally, featuring varying chef concepts in each location.

Barrio hopping











Good food, good drinks. Tim McKee and Josh Thoma's latest effort is the place to be.
By RICK NELSON, Star Tribune
Last update: December 24, 2008 - 2:56 PM





To paraphrase Irving Berlin, the best things happen when you're drinking.


Eavesdropping, for instance. So I'm nursing a margarita in the bar at Masa when the two women to my right start talking restaurants, praising and skewering the latest and greatest. Their views and mine barely converge, in that were-we-eating-in-the-same-restaurant? way.
"What have you heard about that Barrio place down the street?" one asked the other. The response was a shoulder shrug, followed by a somewhat dismissive, "I hear that it's a bar with food." It was all I could do to bite my butt-insky tongue, because what I wanted to say was, "You're half right. It's a very good bar, with very good food, if you ask me." Fortunately for them, they didn't.

Co-owners Tim McKee and Josh Thoma certainly read the market right when they opened this champ, their fourth collaboration following La Belle Vie, Solera and Smalley's Caribbean Barbeque and Pirate Bar. Talk about prescience. Just as Barrio's doors opened, the economy tanked and suddenly it seemed as if anyone with a Gold Card was trading their high-end dining habits for cheaper, more casual alternatives. The kind Barrio just happens to offer. In spades.
Much of the restaurant's appeal rises from a one-two personnel punch. Bill Fairbanks, a longtime La Belle Vie sous chef, is making magic in his square foot-challenged kitchen, guided, no doubt, by McKee's limitless imagination. Company mix master Johnny Michaels -- he's the expert who makes the LBV lounge the city's top cocktail destination -- is responsible for Barrio's crazy-good libations.



Fairbanks first. He takes staples of the Mexican chain-restaurant stable -- tacos, enchiladas, tostadas, each beaten down by the Taco Bells and Don Pablo's of the world -- and breathes invigorating new life into them through a potent blend of ingenuity, enthusiasm, cooking prowess and impeccable ingredients.



Take your pick


The menu isn't large, but it's remarkably coherent. There's not a misstep in the bunch, and very little overlap, meaning you won't find the same fallback salsa or pico de gallo lazily blanketing every plate. In fact, I can imagine a substantial number of curiosity seekers going just to explore the splendid variety of salsas.



It's funny saying this about a taco, but Fairbanks' mahi-mahi version is rapturously good, the succulent fish enrobed in a gossamer beer-batter tempura and paired with a cool cucumber pico de gallo. I love the robust red chile enchilada, flecked with a peppy chorizo and topped with a gently fried egg. Cinnamon-kissed carnitas is served two ways, either as a taco (with an excellent serrano salsa) or crowning a pair of sopas and finished in a rich ancho-tamarind sauce. Both are heavenly. Ditto the shrimp tacos, their feistiness balanced by a grilled tomato-mint salsa, and the chicken enchilada pretty much shows how the genre is done.



Other don't-miss dishes? The grilled shrimp, skewered on sugar cane. The tequila-cured gravlax. The lovely jicama-citrus-pepita salad. The brightly flavored scallop-grapefruit ceviche. The golden empanadas, liberally stuffed with crab. The complex soups (although the one major glitch I encountered was an alarmingly past-its-prime crab soup).



Heck, even the guacamole is an event. It's a mash of avocados so creamy you'll wonder if you should eat it or save it for a facial mask. Peppered with coin-cut radishes, snips of jalapeño, cilantro leaves and the faint, teasing trace of cumin, it's served with a bowl of addicting, salt- and cumin-dusted tortilla chips. Just thinking about it makes me want to double-park somewhere near 9th and Nicollet and dive into an order. Right this minute.



After all those glorious small plates, the menu's half-dozen entrees seem a bit superfluous. They're fine -- more than fine, actually. Best are the plump shrimp with zesty citrus-pepper accents, the moist steamed mahi mahi, a juicy pan-roasted chicken doused in a spirited chimichurri, and meaty pork ribs, cured with ancho and chipotle chiles and marinated in an intense tamarind-roasted tomato sauce. Still, their hefty portions put the brakes on the restaurant's brisk grazer's pace, and it makes me wonder what else Fairbanks could do if he dropped the big plates and added more small ones. Bumping up the fabulous beef tongue tacos from daily special status to a regular berth on the menu would be a step in the right direction.



Lively and lovely looks
The storefront space, a throwback to Nicollet's days as a shopping juggernaut, embodies a basic Event Planning 101 maxim: Squeeze a maximum number of people into a minimum amount of real estate. The much mellower lunch-hour aside, I can't recall dropping in and not encountering an elbow-to-elbow crush of pretty people, boozing, noshing, flirting, laughing and setting aside, if only for an hour or two, the woes of the world.



Shea Inc., the Minneapolis design firm, installed big glass doors that nicely blur the boundary between sidewalk and restaurant. Flickering candlelight and scene-setting visual quirks set the tone, including a trio of amusing live-action marionettes that were plucked off eBay at nine bucks a pop, a stunner of a graffiti-style mural painted by Juxtaposition Arts of Minneapolis (look closely for the abstractions of bulls one-upping matadors) and a dramatic candelabra accumulating so much dripped wax that it has quickly taken on an eerie, separated-at-birth resemblance to the Minneapolis Institute of Art's "jade mountain" Chinese carving.



Two flaws: A single front door translates into frequent and massive blasts of frigid air, and a seat on the claustrophobic mezzanine is the equivalent of being relegated to the kids' table while the grown-ups eat downstairs.



The bar is a tequila-lover's dream, boasting an inventory that tops 100 varieties; buy them by the shot (hello, sticker shock), mix them with tangy house-made sodas or enjoy them in a standout roster of margaritas and cocktails. Michaels also showers his alcohol-free mocktails with similar creativity and care -- minus the hooch -- a touch that this occasional drinker really appreciates. But that's Barrio, which doesn't seem to miss a trick.



"What do you think these guys will do next?" I asked my friends as we eased into our second round of margaritas. Then I looked around and thought, hmm, maybe the people sitting next to us know the answer, or would be willing to venture an opinion.

2009: The next big things: cooking and dining

Star Tribune asked experts and visionaries in Minnesota to look over the horizon and tell us what's coming our way in 2009. What do they predict?

Here's a shocker: We're going to be eating at home more often in 2009, said Kay Logsdon, senior editor of foodchannel.com. "But because we have been watching cooking shows and reading cooking websites, we all have a lot more knowledge about cooking, and so we're going to apply that knowledge at home," she said. Apparently our Crock-Pots will enjoy a place of pride in our kitchens. Allrecipes.com reports that searches for slow cooker recipes increased 222 percent between 2007 and 2008, and more people are packing brown-bag lunches. Fad diets are also on their way out, and calorie counts are showing up on restaurant menus.
David Shea, principal of Shea Inc., a Minneapolis design and marketing firm that works with restaurants around the country, says that diners might spend less, but they'll drink more, a trend that will encourage cocktail-friendly small-plate fare. "People aren't cutting back on enjoying themselves; they're just spending less, and alcohol brings the excitement a little faster," Shea said.
RICK NELSON

Friday, December 12, 2008

Shea works with neighboring businesses to launch Minneapolis Warehouse Entertainment District



There is lots of excitement surrounding the development of Target Field, the new Twins Ballpark development right outside our offices in the Warehouse District. At Shea, we have been working in a variety of ways with the businesses and residents of the neighborhood to make sure we are positioned properly to go from a great neighborhood to one that is world-class. With a dense mix of eclectic and urban residential, office, retail, hospitality and entertainment offerings, as well as exciting transportation developments, we are well on our way.

This summer, our branding and marketing team began brainstorming with the Warehouse District bar, club, restaurant and hotel owners and managers about ways we could demonstrate to the public that although many great aspects of the neighborhood are under development, a rich and vibrant neighborhood currently exists. Our designers worked with the businesses to develop a new brand for the area, which we launched last month as The Warehouse Entertainment District. This week, the first promotion is a loyalty program that entitles anyone with "The Big Deal Card" to offers and specials at participating venues.

Read our press release for the background on this program. Go to the Warehouse District Business Association (WDBA) website to obtain your own card, which will entitle you to offers at more than 25 establishments, like 50% off bottles of wine under $100 at D’Amico Cucina, or complimentary admission to Envy Nightclub. Check out our website to see more of Shea’s work.

We launched the program this week and it is already getting great attention. People are requesting cards in droves and the media is all over it. Get your card today and we’ll see you in the Warehouse Entertainment District!

Shea teams with NorthMarq to make Butler Square Green

Where History Meets Green
Historic preservation and sustainable design come together in the renovated Bulter Square.
December 2008 by Jamie Swedberg
Twin City Business Magazine

Butler Square, a nine-floor, 500,000-square-foot historic structure in the Minneapolis Warehouse District, is already a landmark in the Twin Cities. Built in 1906, the imposing brick building was originally a mail-order, retailing company’s warehouse.
After it fell into disuse in the 1960s, the block was purchased in 1972 by a Washington D.C.–based developer who wanted to recast it as an office-retail complex. But it would not suffer the fate of so many historic buildings that were marred or destroyed by urban renewal. Instead, Butler Square had the good fortune to be remodeled thoughtfully and sensitively, with a center atrium that brought light to the center of the massive structure. It won a slew of awards and became a catalyst for the renewal of the Warehouse District.
Butler Square is now about to make history again. Bloomington-based NorthMarq Real Estate Services, Inc., (previously known as United Properties), which manages the building, is seeking LEED-EB certification for the 100-year-old structure. LEED-EB is the U.S. Green Building Commission’s Leadership In Energy and Environmental Design rating system for existing buildings. It encompasses all facets of a building’s structure and use, from ventilation and plumbing to employee transportation and janitorial procedures.
When it attains its certification, Butler Square will be the oldest LEED-certified building in existence. “We’ve looked it up,” says NorthMarq’s senior property manager for Butler Square Denise McCormick. “The only hundred-year-old building we found [with LEED certification] was a complete restoration, where they gutted the entire building. Ours, on the other hand, is a building on the National Historic Register. We are confined in what we can do, structurally, to the exterior. But we feel that we can do this, just by changing our habits, our equipment, and the way we do things to create a greener environment. I think it’s really cool, and the ownership here is gung-ho. We want to be an encouragement to others, to show them what can be done with an older building.”
Because the HVAC system of the building recently reached its life expectancy, NorthMarq elected to replace the chiller and boiler with efficient Energy Star–rated versions, thus gaining LEED points.
The building’s water use is also a major focus. “Our biggest challenge as an older building has been water efficiency, and I think for most older buildings that would be the case,” McCormick says. “We have a lot of old toilets that flush a lot! [We] will be changing out a large number of toilets to the one-and-a-half-gallon flush. We have to do that just to qualify for the prerequisite for water efficiency. So that’s probably the biggest chunk of money that we’ve had to dish out for going LEED-certified.”

Luckily, the majority of the 34 points needed for a LEED-EB certification can come from operational and maintenance changes. “We’ve been working on it since the beginning of the year,” McCormick says. “I actually was very pleased to see that an older building really can attain LEED certification without spending a fortune. A lot of it is just having policies and plans in place, so that you do things in a manner that is environmentally friendly and energy-saving. The U.S. Green Building Council has really started to place a huge emphasis on green cleaning—the way you clean your building and the chemicals you use.”
Of course, historic buildings are restricted in the structural changes they can make. But they also have some built-in advantages, such as their tendency to be located in densely populated urban areas.
“We have so much public transportation and parking around us,” McCormick says. “That really is helpful in some of the points as well. We negotiated with the Lifetime Fitness across the street [for use of their showers] to encourage Butler Square tenants to ride their bikes to work. We literally went from two bikers to 25, and they continue to ride.”
The tenants have been key to the LEED effort. Butler Square houses 45 to 50 businesses, employing a total of 1,110 people, and many are enthusiastically buying into the greening effort. Recycling programs are in full swing, and a couple of the businesses are even considering pursuing LEED-CI, the equivalent program for commercial interiors, within their own spaces.
NorthMarq is currently in its LEED performance period, three months that are the mandatory block of time when buildings seeking certification measure their efforts against the standard. Once the basic certification is accomplished, McCormick says her company plans to seek the next higher LEED category, the silver level.
“There will be a lot more infrastructure changes then,” she says. “We are looking into recapturing our wastewater and things like that that will take a lot more work to do. We’re even looking at the possibility of a green roof.”
Here, again, the tenants are a major part of the effort. Butler Square is pursuing LEED certification with the help of a “green team” committee consisting of several building tenants, contractors, vendors, and NorthMarq staff. One tenant, a civil engineer, has drawn up a prospective roof plan featuring native plants and a reflective rooftop patio for the tenants’ use. Solar power is another option that’s on the table.
McCormick believes the greening of Butler Square is not only an environmentally responsible thing to do, but also a smart investment for the long term. “Obviously, when you figure out what you want to do, you have to balance it with what your payback is going to be on your energy savings,” she says. “On a lot of the larger items that we’ve looked at, the payback is anything from two years to ten years. With rising utility costs—and the potential of rising water costs in the future—this is all very appealing.”

Thursday, December 11, 2008

Even in Recession, Spend They Must: Luxury Shoppers Anonymous

By RUTH LA FERLA
Published: December 10, 2008 New York Times

ONLY a year ago, Maggie Buckley might have indulged a craving for, say, satin opera gloves or python sandals with a quick trip to Saks or Bergdorf Goodman. But now, in these recessionary times, she tends to avoid such public sorties.

“Shopping is almost embarrassing, and a little vulgar right now,” said Ms. Buckley, an editor at Allure magazine. Loath to be seen loading freezer-size parcels into the back of a waiting cab, she finds herself shopping at under-the-radar soirees in the homes of her friends.

Ms. Buckley is one in a coterie of shoppers turning their backs on conspicuous consumption but trawling for treasures nonetheless at invitation-only shopping events springing up in hotel suites, at private showrooms or in the well-appointed parlors of their peers. Feeling the pangs of conscience, they are shopping on the down-low, finding deals in places that are the retail equivalent of a safari on a private game reserve.

“People don’t want to be as public about shopping for luxury goods as they were in the past,” said Robert Burke, a luxury retail consultant in New York. “It’s a feel-good way to buy, and this is a time for feel-good things.”

Such covert shopping has long been enjoyed by the upper crust, people who could pay six figures for diamond-and-sapphire brooch or sable wrap — and the privilege of exclusivity. But in the current climate, stealth consumption has gained a more potent appeal, taking place at gatherings with an insiders’ feel.

“We’re like a little secret that people want to share, but not with just anybody,” said Eve Goldberg, an owner of William Goldberg, a diamond dealer in Manhattan. Ms. Goldberg’s company recently opened a salon that caters to clients who prefer to shop discreetly.

“People are saying: ‘It’s that time of year; I want to buy something, but I feel a little weird,’ ” Ms. Goldberg said. “Often they tell me, ‘I don’t want to be out there making an announcement with a big bag that says Harry Winston.’ ”

Private dealers, many of them dilettantes who acquire their wares from designer friends, at trade shows and from dealers and artisans in exotic locales, are the bane of recession-battered high-end merchants. Established retailers are hard pressed to compete with such luxury pop-up shops while maintaining inventories and absorbing the high costs of operating their businesses.
But under-the-radar parties offer the well heeled, and the well connected, a chance to snap up temptations without an inner censor chiding them for their spendthrift ways.

“There is certainly a stigma to spending openly in this economy,” said Eric Spangenberg, a consumer psychologist and the dean of the business school at Washington State University.


“These people don’t want to appear flippant by disregarding the woes of the economy,” he said, “but they still want to get their shop on, and they’re going to find a way.”

Those who cannot wean themselves off the shopping habit flock to events that are, in Dr. Spangenberg’s phrase, “the high-end equivalent of a Tupperware party.” There they trade gossip and air kisses — and spring for crewelwork pashminas or pavé diamond pet collars.
Sure, they are shopping. “But they are also enjoying the camaraderie and a social experience,” said Joan Horton, an event planner and decorator who offered a selection of shrugs she bought during buying trips abroad. Last week she displayed those items, sold under the Shrug Shop label, at a lavish three-day shopathon in the apartment of a friend.

The gathering, the brainchild of a clutch of freelance stylists, designers and merchants, offered handmade Balinese lace blouses, ikat patterned tablecloths, Indian shawls, snakeskin bags and Bakelite bangles.

“We were looking for a retail outlet,” said Amy Eller, an organizer of the event. But then the Dow went into free fall, putting a crimp in their plans. “We decided we would just become a floating marketplace,” she said.

That marketplace took the form of a haute bohemian souk on Park Avenue, stocked with items priced from $25 to $700, shown off against a backdrop of crimson walls, 19th-century lithographs and faux leopard carpeting worthy of Elsie de Wolfe. Ten percent of the proceeds from the event, which drew about 300 guests and took in an estimated $60,000, went to VetDogs, which provides service dogs for disabled veterans.

“People like the private atmosphere,” Ms. Eller said. “And they also felt they were giving back a little while they shopped.”


SIMILAR opportunities for altruism may have eased the consciences of the 250 guests at the International Fashion party, a by-invitation event held last week at the Clift Hotel in San Francisco to benefit Rebekah Children’s Services, which aids children with emotional and behavioral problems. But the party, which attracted the social figures Vanessa Getty, Sloan Barnett and the wives of several Silicon Valley executives, was also a magnet for trophy hunters. Filigreed chokers and diamond-studded earrings with an ornate Asian cast were offered alongside hair and eyelash extensions and a rack of furs supplied by Saks Fifth Avenue, which saw an opportunity to reach affluent clients. Prices ranged from $100 to $10,000 — or, furs apart, about 10 percent above the wholesale cost.

“We don’t need to mark up items so much as a store might,” said Dorothy Toressi, an organizer of the benefit. “We don’t need to hold inventories or pay salaries or other costs of overhead.”

After checking in at the door and filing by a phalanx of security guards, guests sipped Champagne, fingered baubles arranged on muslin-draped tables and tested the heft of new handbags, happy all the while to be mingling with their own.

“These parties can be social networking opportunities,” said Susanna Stratton-Norris, a London-based knitwear designer who offered her opulent cashmeres for sale last month in a suite at the Regency Hotel in New York. She pulled her guest list together from a roster of clients she had cultivated in an earlier career as a decorator.

“These people felt as if they belonged to a club,” Ms. Stratton-Norris said, one that caters to their tastes “and where they could meet like-minded people.” Socially at ease, they were free to indulge an acquisitive streak, “not embarrassed to purchase in multiples or to tell me, ‘I’ll have one of these in every color.’ ”

“It seems counterintuitive, but the big ticket items are flying out,” said Ricky Serbin of Ricky’s Exceptional Treasures, a luxury resale store on eBay. Mr. Serbin said that in one week in November, he sold three Oscar de la Renta gowns, each for about $3,000. In flusher times they might have languished while shoppers indulged a yen for finery at luxury boutiques and upscale department stores.

What’s changed? “People like the anonymity of the Web,” Mr. Serbin suggested. “No one can see you coming out of Neiman Marcus moving a ball gown.”

Tatiana Sorokko, who recently bought a Ralph Rucci ensemble from Mr. Serbin, supported that theory. “In this economy, the people I know are making adjustments. Their transactions tend to be between themselves and the seller,” said Ms. Sorokko, a former model and the owner with her husband, Serge, of a gallery in San Francisco.
S

tealth shopping provides the satisfaction of “buying something special from a person who you trust,” she said. “But you haven’t gone public. No one will talk.”

"Tap Top" wins bottle water design


By Laurel Petriello -- Interior Design, 12/9/2008

As reported in our October 2008 Designwire Online Exclusive content, the London On Tap competition, a collaboration between Mayor of London Boris Johnson and Thames Water, garnered more than 100 entries vying for first place in a competition designed to encourage Londoners to drink tap water over bottled. Entrants submitted designs, for a new, sustainable, glass carafes, to be used by London’s bars, hotels and restaurants. Rising to the top of the list was winning design “Tap Top” by London-based industrial designer Neil Barron who received a £5,000 prize from Thames Water.

“London’s tap water is world-class. It’s around 500 times cheaper than bottled water; generates 300 times less carbon during production than its bottled water alternative; and tastes just as good, if not better. Drinking tap water just makes economic and environmental sense,” said David Owens, Thames Water’s chief executive. “We want to make our tap water accessible to everyone, and we want Londoners to be offered a choice about what they drink when they go out. Now they will be able identify our tap water with Neil’s stunning design, and drink the best water from the best bottle.”

The distinctive tapered glass of the winning design features four, drip-free pouring spouts that trap ice when the carafe is tipped. The carafe, which Barron describes as “tall, tapered and elegant, yet contemporary like an inverted rocket,” has already received attention and applause from the European design community. “Tap Top” will be manufactured in England in January, and on sale to the hospitality industry in spring 2009. Discussion to manufacture the design for public purchase is also underway.

The “Tap Top” carafe can be ordered through London On Tap.

For a slideshow of the shortlisted designs, click here.

Tuesday, December 9, 2008

Warehouse Entertainment District introduces 'The Big Deal Card' program


MINNEAPOLIS (December 9, 2008) – This week, the group that formed the Warehouse Entertainment District is introducing its first promotion which is a program offering customers "The Big Deal Card," entitling them to special deals at more than 25 participating establishments in the Warehouse District.
Anyone can receive The Big Deal Card at no charge by logging on to the Warehouse District Business Association (WDBA) website at http://www.mplswarehouse.com/ clicking on the Warehouse Entertainment District logo and filling out a registration form, or cards are available at any of the participating venues. Specials and promotions for each establishment, only available to those carrying The Big Deal Card, are listed on the WDBA website as well. The offers and the number of participating businesses will be updated frequently, so card members are encouraged to check the website often.

Offers range from food and beverage discounts to deals on parking and cover charges. Currently, participating businesses include 508 Bar and Restaurant, Bellanotte, Bootleggers, Brothers, Champps, Cold Stone Creamery, D'Amico Cucina, Déjà vu, Ugly Mug/Dive Bar, Dreamgirls, Envy Nightclub, First Avenue, The Gay 90s, The Imperial Room, Lone Tree Bar & Grille and The Annex Night Club, The Loon Café, Lyons Pub, The Refuge, Rosen's City Tavern, Seven The Steakhouse/Seven Sushi, Sneaky Pete's, The Seville, and The Shout House Dueling Pianos.

WDBA Executive Director Joanne Kaufman states, "We have such a diverse, vibrant neighborhood that we want people to be aware of all the great options and view it as an exciting and inviting place for all ages. We hope 'The Big Deal Card' will encourage people to come to the neighborhood and take advantage of great specials at many of our hospitality businesses."

In October, the bar, restaurant and club owners and managers of the WDBA created a collective brand for the area in which they do business, and launched the "Warehouse Entertainment District" as its new moniker. The group worked with Shea, Inc. to develop the brand which includes a new logo and tag line that will be used in a variety of marketing and advertising vehicles to promote the neighborhood as a place for the entire family seeking the best in entertainment, food, drink and fun.

Shea, Inc., now celebrating its 30th year, is a marketing and design firm integrating expertise in marketing, architecture, and interior design. Shea blends diverse perspectives, skills, cultures and knowledge into solid creative strategy for clients. Shea's client list includes Macy's, TCF National Bank, Morton's The Steakhouse, Wells Fargo and Midcontinent Communications. For more information on Shea, please contact Andy McDermott at 612.594.4245 or visit our Web site http://www.shealink.com/.


Monday, December 1, 2008

Shea's designs often define Minneapolis’ retail hot spots

Minneapolis / St. Paul Business Journal - by John Vomhof Jr. Staff Writer

If you’ve ever gone shopping or out to eat in the Twin Cities, you’ve almost certainly come across Shea Inc.’s work.

To capture a sense of Shea’s impact, just take a quick stroll down Hennepin Avenue, where the Minneapolis design and marketing firm worked on Fogo de Chao, Solera and the Chambers Hotel. Or visit Nicollet Mall, where the firm’s projects have included the Dakota Jazz Club and Restaurant, Barrio Tequila Bar & Cafe and the new JB Hudson Jewelers store.

The 33-employee firm also assisted with the Midtown Exchange — even developing the Midtown moniker that the Minneapolis neighborhood now is known by — and various projects throughout Uptown and Northeast Minneapolis. It has done work for the Galleria shopping center in Edina and many of its individual stores, as well as more than 30 shops at the Mall of America.

Over the past 30 years, Shea has established itself as one of the Twin Cities’ leading design firms, working on everything from banks to restaurants, parking ramps to retail shops. It expects $3.5 million in revenue this year. Whether developing a new concept or trying to reinvigorate an old one, many business owners turn to Shea.

"We can point to virtually every building in town and we've either worked on the building itself or tenant space inside it," said Tanya Spaulding, a principal at Shea. "We've touched just about every property in town."

But despite that broad experience, the firm's designs have never gone stale.

"There's no Shea look," founder David Shea said. "Many architects and designers have looks of their own. What we have is a quality and a creativity. We use very different looks, but the quality and the creativity is always there."

The key, Shea said, is that the firm starts every project with a clean slate, never referring back to past projects. Designers also work on a range of projects, not individual categories.

"At Shea, there are no restaurant designers or retail designers," Spaulding said. "We don't departmentalize. At any given time, a designer may be working on a bank, a restaurant and a retail store."

Shea's designers also spend a lot of time brainstorming ideas with clients. "We spend a lot of time sitting with clients, throwing idea out there," Spaulding said. "You take their passion, then expand that with your own experiences to craft something novel and new every time."

That approach was evident when Shea designed the new store JB Hudson Jewelers moved into at the Young Quinlan Building in February, JB Hudson President and CEO Jeannie Joas said. The jewelry retailer moved after 78 years across the street in what is now the Macy's store.
"They really respected my mission of keeping the best of the old and the best of the new, infusing a real energy into this space," Joas said.

When Josh Thoma and Tim McKee were developing Barrio, David Shea traveled with them to Los Angeles to try out some tequila bars there. "He really understands current food trends and the food scene, not just locally but nationally," Thoma said of Shea. "He brings a lot of depth and functionality to his designs. You can have a beautiful restaurant, but if it can't function, you can't serve your guests and they won't come back."

It wasn't the first time Thoma and McKee had worked with Shea. They also worked with him on Solera , La Belle Vie and Smalley's Caribbean Barbeque & Pirate Bar. "You need somebody that understands your concept and your vision and can transform that vision onto paper and then into the actual space. [David Shea] really excels at that."

Shea's firm doesn't focus on how a new store or restaurant will look, though. The company spends an equal amount of time focused on how it will perform. Every aspect of a project is thoroughly researched and aims to address a specific business objective.

"Return on investment is a big thing for us," Shea said. "Everything we do has a business focus. Design is a method - a bridge - to get to the business solution."

And the firm's work doesn't end when a project is completed. Shea has been known to call some of his firm's clients to offer suggestions after visiting their stores or restaurants.

"You never let go," Shea said. "You believe that it could always be a little better, so you're always tinkering or adding to it."

Perhaps that's why clients keep coming back. About 80 to 90 percent of the firm's business comes from repeat clients, and most of the new clients come from referrals.

JB Hudson is among the return clients. The firm recently turned to Shea for help with its holiday marketing, and Shea developed some window displays.

"We have an ongoing relationship," Joas said. "I don't just consider them business associates; I really consider them friends."

No matter how big or small the project, Shea works tirelessly on every aspect, holding firmly to the philosophy that the whole is greater than the sum of the parts.

After 30 years in business, the whole of the company's work similarly surpasses the sum of its many projects - a point that isn't lost on Shea. He takes great pride in the role his firm has played in the urbanization of Minneapolis and the broader Twin Cities area.

"We live in this city and work in this city, and we want to help make the city itself a strong, urban space," he said. "I want to see Minneapolis become that shining city on the hill."

http://www.shealink.com/