Thursday, June 23, 2011
More on Saffron: Rick Nelson gets the scoop
Counter intelligence: Saffron's widening culinary view
Article by: RICK NELSON , Star Tribune Updated: June 22, 2011
Major changes are coming to Saffron Restaurant & Lounge (123 N. 3rd St., Mpls., www.saffronmpls.com).
"It's a project that went from, 'Hey, we should get new tables' to 'We're going to have a new restaurant,'" chef/co-owner Sameh Wadi said with a laugh. White tablecloths are out and smaller wood-topped tables are coming in, along with a dramatic Moroccan-inspired wine storage unit, new chandeliers and lanterns and a semi-private dining area.
As for the menu, Wadi is widening his Middle Eastern-North African focus and embracing the flavors and traditions of Spain, Greece, Turkey and Italy. Much of the inspiration is coming from a cookbook that Wadi's parents wrote but never published in the 1980s.
"It's called 'The Encyclopedia of Palestinian Cuisines,' and it's thousands of pages, handwritten by my father," Wadi said. "The more I dug into it, the more I wanted to showcase the recipes my parents were making 25 years ago."
Wadi is ditching 90 percent of his current menu and replacing it with a larger number of moderately priced small-plate options -- chicken-porcini croquettes, green beans slow-cooked in tomatoes, air-dried beef cured with fenugreek and paprika -- plus larger dishes like a duck leg tagine and whole-roasted fish, Greek taverna-style. Also coming: Wadi's fantastic lamb bacon BLT.
"We're going to continue to cook fine-dining food, but we're not going to act like it's fine dining," he said.
The five-year-old restaurant is closing after Saturday's dinner and reopening July 6.
Wednesday, June 22, 2011
Coming Soon: The Next Phase of Saffron
Saffron Restaurant and Lounge has teamed up with Shea to make some exciting changes to their space in the Minneapolis Historic Warehouse District. They will be closing for a few days to do the work, with the last day of service this Saturday, June 26. The unveiling will take place on Wednesday, July 6 and at that time, Chef Sameh Wadi will be introducing an updated menu filled with exciting new flavors.
Shea had fun helping Sameh and brother and business partner, Saed, on the reworking of the restaurant, which will reflect their diverse menu of Mediterranean, Middle Eastern and Moroccan flavors. Stay tuned for updates and photos, but be sure to visit the new Saffron Restaurant and Lounge when it reopens on July 6.
Shea had fun helping Sameh and brother and business partner, Saed, on the reworking of the restaurant, which will reflect their diverse menu of Mediterranean, Middle Eastern and Moroccan flavors. Stay tuned for updates and photos, but be sure to visit the new Saffron Restaurant and Lounge when it reopens on July 6.
Strib checks out Mill Valley Kitchen
Star Tribune's Jon Tevlin recently checked out one of Shea's latest restaurant projects, Mill Valley Kitchen, where he was very happy to know exactly what he was eating. Read his argument for why he thinks nutrition information on menus is a good thing.
Restaurant's menu offers a helping of healthy change
Article by: JON TEVLIN , Star Tribune
I went to a restaurant the other day and something remarkable happened: They told me what I was eating.
Not only that, they put all the nutritional information on the menu, right below the food item, along with the price. The place is called Mill Valley Kitchen, on France and Excelsior, and as far as I can figure, it is perhaps the first stand-alone restaurant in at least the Twin Cities to fess up about its food.
Incredible. Here I've been going to restaurants for many years, joyfully pigging out on whatever landed on my plate, completely unaware if that nice piece of halibut had been sautéed in 19 pats of butter or not. Oblivious to whether that portion of pasta earned me 150 calories or 650. Unsure if I was swallowing one carbohydrate or 1,000.
I could have guessed at those numbers or found a rough estimate for each meal from those online calorie counters, but I didn't take the time, and, besides, those estimates are unreliable.
Guess what happened? Like a lot of Americans, I got fat. Slowly, over many years, I grew. And grew. And grew. I continued to eat at restaurants, and continued to guess how much fat, carbs and calories I was eating. Eventually, I was diagnosed with diabetes.
I wasn't alone. Amazingly, more than one-third of American adults are overweight or obese, costing billions of dollars in health care.
Over the past 10 months, I've changed my diet, lost weight and stayed on an exercise plan, so I've become a bit of an irritating scold on the issue.
In the past two years, Minneapolis and St. Paul have tried to make nutrition information mandatory for some restaurants but failed. A federal law made nutrition counts mandatory for chain restaurants. Even though I know how important tracking what you eat is, I'm not sure I'm for the mandatory menu information for all restaurants. There's mixed research on whether such labeling works.
"Providing the information is helpful to people who care about it and understand what the numbers mean," said Jennifer Nelson, director of clinical nutrition at the Mayo Clinic in Rochester. "But for others it's just a number and it becomes an irritant."
But, said Nelson, "I applaud any restaurant that volunteers the nutritional information because it takes time and costs money."
The guy who gets my praise for going where few tread is Mill Valley owner Craig Bentdahl, a former banker who knows the risk of the restaurant business yet chose to jump into the market and reveal information not everyone wants to hear.
"I've always been interested in health and fitness, and I found it frustrating when I ate out and didn't know what I was consuming," Bentdahl said. He used Canyon Ranch spa and resort in Arizona as a model for the cuisine.
"I used to run long distance, but I also ate a lot of pasta," said Bentdahl. "It wasn't until I changed my diet that I began to see results in my health. We've gotten quite a few comments so far, and they've all been positive."
Mike Rakun, executive chef of Mill Valley Kitchen, said he took the job as a challenge because anyone can make food tasty by using lots of butter and salt. "I bought a case of butter when we opened and I'm still sitting on it," said Rakun. "That's insane in most restaurants."
Rakun inputs all his ingredients into a software program that calculates everything from calories to fat to amino acids even. To keep it simple, they put the calories, fat, carbohydrates and protein of each item on the menu. "Craig is very passionate about eating well and really felt there was a void in this kind of restaurant in Minnesota."
So do I, which is why I was excited to give Mill Valley a little shout-out. Did I mention my lunch was excellent? I had the grilled plum salad and a piece of salmon and got out of the place for about 500 calories.
Here's hoping Bentdahl turns out to be our own Jamie Oliver, the television chef who is trying to improve school lunches in America, and convinces others to follow his lead.
Restaurant owners: The challenge is yours
Restaurant's menu offers a helping of healthy change
Article by: JON TEVLIN , Star Tribune
I went to a restaurant the other day and something remarkable happened: They told me what I was eating.
Not only that, they put all the nutritional information on the menu, right below the food item, along with the price. The place is called Mill Valley Kitchen, on France and Excelsior, and as far as I can figure, it is perhaps the first stand-alone restaurant in at least the Twin Cities to fess up about its food.
Incredible. Here I've been going to restaurants for many years, joyfully pigging out on whatever landed on my plate, completely unaware if that nice piece of halibut had been sautéed in 19 pats of butter or not. Oblivious to whether that portion of pasta earned me 150 calories or 650. Unsure if I was swallowing one carbohydrate or 1,000.
I could have guessed at those numbers or found a rough estimate for each meal from those online calorie counters, but I didn't take the time, and, besides, those estimates are unreliable.
Guess what happened? Like a lot of Americans, I got fat. Slowly, over many years, I grew. And grew. And grew. I continued to eat at restaurants, and continued to guess how much fat, carbs and calories I was eating. Eventually, I was diagnosed with diabetes.
I wasn't alone. Amazingly, more than one-third of American adults are overweight or obese, costing billions of dollars in health care.
Over the past 10 months, I've changed my diet, lost weight and stayed on an exercise plan, so I've become a bit of an irritating scold on the issue.
In the past two years, Minneapolis and St. Paul have tried to make nutrition information mandatory for some restaurants but failed. A federal law made nutrition counts mandatory for chain restaurants. Even though I know how important tracking what you eat is, I'm not sure I'm for the mandatory menu information for all restaurants. There's mixed research on whether such labeling works.
"Providing the information is helpful to people who care about it and understand what the numbers mean," said Jennifer Nelson, director of clinical nutrition at the Mayo Clinic in Rochester. "But for others it's just a number and it becomes an irritant."
But, said Nelson, "I applaud any restaurant that volunteers the nutritional information because it takes time and costs money."
The guy who gets my praise for going where few tread is Mill Valley owner Craig Bentdahl, a former banker who knows the risk of the restaurant business yet chose to jump into the market and reveal information not everyone wants to hear.
"I've always been interested in health and fitness, and I found it frustrating when I ate out and didn't know what I was consuming," Bentdahl said. He used Canyon Ranch spa and resort in Arizona as a model for the cuisine.
"I used to run long distance, but I also ate a lot of pasta," said Bentdahl. "It wasn't until I changed my diet that I began to see results in my health. We've gotten quite a few comments so far, and they've all been positive."
Mike Rakun, executive chef of Mill Valley Kitchen, said he took the job as a challenge because anyone can make food tasty by using lots of butter and salt. "I bought a case of butter when we opened and I'm still sitting on it," said Rakun. "That's insane in most restaurants."
Rakun inputs all his ingredients into a software program that calculates everything from calories to fat to amino acids even. To keep it simple, they put the calories, fat, carbohydrates and protein of each item on the menu. "Craig is very passionate about eating well and really felt there was a void in this kind of restaurant in Minnesota."
So do I, which is why I was excited to give Mill Valley a little shout-out. Did I mention my lunch was excellent? I had the grilled plum salad and a piece of salmon and got out of the place for about 500 calories.
Here's hoping Bentdahl turns out to be our own Jamie Oliver, the television chef who is trying to improve school lunches in America, and convinces others to follow his lead.
Restaurant owners: The challenge is yours
Thursday, June 9, 2011
City Pages reviews Masu...deems it a grand slam!
Rachel Hutton from City Pages tried a little bit of everything at Masu, from the noodles to the robata to the sushi to the Pachinko machines and she seemed impressed with just about everything. Read on for her review...
Masu Sushi & Robata is state's most impressive sushi joint
It's a Japan grand slam
By Rachel Hutton
published: June 08, 2011
Can somebody explain the pachinko machines at Masu Sushi & Robata? They look rather like smaller, vertically oriented pinball games, decked out with videos of Speed Racer and Godzilla. There are knobs to spin and buttons to push, but how these things influence the little metal ball's pinging off pegs and zipping through chutes is something of a mystery.
Masu's mini pachinko parlor, along with its bright geisha imagery, traditional sake barrels, and cartoon-like Munny dolls, are elements that Shea's design team selected to replicate the energetic rush of urban Japanese culture. But the restaurant's concept is actually much simpler than its flamboyant decor: join several powerful culinary forces to create the state's most comprehensive Japanese restaurant.
The Twin Cities already has its fair share of excellent Japanese restaurants, each with their various distinctions. Origami, for example, is home to first-rate sushi. Midori's Floating World Cafe serves exquisite noodle soups, while Tanpopo offers immaculate teishoku, or set meals. Moto-i is known for brewing its own sake, and Obento-Ya excels in robata, skewered foods cooked over tiny charcoal grills. Masu's menu is as deep as it is wide. Its extensive sushi list is only the beginning. The restaurant serves four types of noodles, prepared 14 ways, plus six teishoku options and nearly 30 different robata.
Masu's backbone is Sushi Avenue, a family-owned company that helps upscale supermarkets, universities, and other large food service operations (Whole Foods, Hamline, Target Corporate) implement sushi programs by supplying chefs, recipes, and ingredients. When Sushi Avenue made its first foray into the restaurant business, the company tapped the James Beard-awarded chef Tim McKee to help develop the concept and menu. McKee made his name founding La Belle Vie, but lately his impact on the Twin Cities dining scene has been steadily increasing as he consults for other restaurateurs, handpicking high-level talent and helping kitchens elevate their ambitions.
Masu's menu is split in two, and each half has its own head chef. Katsuyuki Yamamoto, who also goes by A-san, manages the sushi operations and is easy to spot—he's got a shaved head, rectangular glasses, and typically a little salt-and-pepper stubble—methodically slicing fish and shaping rice behind the sushi counter. Yamamoto grew up in Japan before moving to Minnesota in the mid-1990s and then working at Origami for 15 years.
Yamamoto's menu offers sashimi and nigiri, plus five types of makizushi, or rolled sushi (thin rolls, fat rolls, rice-on-the-outside rolls, as well as "rolls" made with rice shaped into balls or stuffed into tofu pockets). He covers all the bases, from basic cucumber rolls to daring sea urchin sashimi to the trendy, overstuffed Rainbow and Firecracker rolls.
Masu is the first local Japanese restaurant to source fish with mindfulness toward sustainability, a subject McKee became interested in when he opened Sea Change in the Guthrie. So the kitchen doesn't offer the typical sushi restaurant's bluefin tuna or yellowtail—both labeled "avoid" by the Monterey Seafood Watch—and instead replaces them with several fish rarely, if ever, seen on other local sushi menus.
Sardines are one such fish that's worth discovering. They're a very ecologically sound selection but often overlooked due to their robust fishy flavor. Masu's chefs prepare the sardines with a traditional cure of salt, vinegar, and citrus—they're rather like pickled herring and surprisingly good. Arctic char is another good bet for its salmon-like fattiness and mild flavor. If ordered temari-style, the pale pink fish slices wrap around the rice as tightly as a pitcher's grip on a fastball. The balls are topped with thin lemon crescents to cut the fish's richness, and they're awfully tempting to pop down the hatch in one jaw-straining bite. The restaurant wasn't able to find an eco-friendly source of freshwater eel, or unagi, so the staff created what they call faux-nagi—striped bass that's prepared in a similar style, topped with a tangy, barbecue-like sauce, and slightly charred. (The bass doesn't re-create the eel's uniquely unctuous texture, but it's an impressive facsimile and can be eaten without the guilt of unagi's conscience-troubling origins.) Glistening slices of salmon come from a responsibly managed Scottish sea farm and will leave the lips just as oil-glossed as their wild-caught cousins.
Masu's sushi prices are fairly reasonable, with the omakase sushi assortment offering the best value (it's available for parties of two or more, for $18 per person). The only downside is that the kitchen's selections tend to incorporate many sushi staples, such as California rolls and spicy tuna, and it's a shame not to sample more of the unusual items. Don't miss the mackerel hosomaki (thin roll) that cuts the fish's muskiness with green onion and pickled radish. The BTL futomaki (fat roll) pairs crispy salmon skin with lettuce, tomato, basil, and mayonnaise to mimic the fatty-smoky-salty-juicy qualities of the sandwich. Fresh, briny crab and sesame seed can be ordered as inarizushi, stuffed into a deep-fried tofu pocket that complements the seafood's sweetness.
Rice forms the foundation of great nigiri sushi and rolls, and Masu's kitchen attends to the details, buying and carefully washing expensive, premium rice. As a result, the grains come out plump yet not gummy, holding together as elegantly as an English dry stone wall.
Chef Alex Chase oversees the second half of the menu, which includes the noodle, robata, and teishoku selections. Chef Chase took an early interest in Japanese culture when he went to the country as a teenage exchange student. After returning to the United States, Chase worked in the sushi kitchens at Saji-ya, Fuji-ya, and Martini Blu before going to the Culinary Institute of Arts in New York. He later worked at the fine-dining restaurants Vincent, Au Rebours, and La Belle Vie, and even squeezed in a stint as a commercial fisherman.
Masu's izakaya-style snacks include the ubiquitous gyoza and agedashi tofu, as well as more obscure items, such as dried squid. The sautéed shishito peppers are a favorite, with their oil-kissed, blackened jackets and sweet, grassy flesh. The peppers are covered in katsuobushi (dried fish flakes) and square salt crystals that look as pretty as snowflakes. Give yourself five minutes and you'll have nothing left but a pile of stems.
The robata are also good for snacking. The little bites of meat and vegetables are infused with a deep smokiness after being cooked on skewers over wood-fired charcoal grills. They're tasty and cute, especially the bacon-and-quail-egg and bacon-and-tofu options, but they'll run up the bill faster than they'll fill your stomach.
Let noodles play that role. In Japan, ramen is everywhere—it's the country's equivalent of the American street-cart hot dog—but authentic ones are hard to find in the Twin Cities. Masu orders its ramen fresh from a California supplier that tailors the noodles to their precise specifications of flavor, delicacy, and springiness. The noodles are served in heady stocks—roasted animal bones, meat, and vegetables simmered for half a day—that make a far richer broth than the contents of the little foil Top Ramen seasoning packet. One of the best, and most gut-stretching, ways to enjoy the ramen is in a curry-spiked broth paired with a breaded, deep-fried pork cutlet called tonkatsu, Chinese broccoli, and a soft poached egg. The udon noodles are thicker, chewier bands, and Masu's Ja-Ja-Men preparation tops the wavy strands with a spicy blend of eggplant and ground pork that's rich and hearty enough to be considered a sort of Japanese Bolognese.
The teishoku meals offer the most variety, as they pair a main dish with several sides, including textbook tempura and a variety of robata. The Wa-Fú hamburger teishoku is a home-style dish that presents a Japanese take on the American icon. A beef patty is seasoned with bits of ginger, garlic, and onion, plus teriyaki sauce and chili paste. The meat's steaky flavor is complemented by Japanese mushrooms and an umami-rich dashi gravy. You'd never miss the lettuce, tomato, and pickles. Dousing the thing in ketchup would be sacrilegious.
So far, no one's won the big jackpot on Masu's pachinko machines—apparently the secret to success involves putting just the right twist on the dial. Perhaps something from the extensive cocktail list, designed by local drinks guru Johnny Michaels, might assist in honing one's technique? The cocktail choices include riffs on familiar drinks, such as an elderflower martini and a ginger-plum margarita, as well as beverages that express Michaels's signature wit—the Lucky Millionaire Mojito comes garnished with a scratch-off lottery ticket; a mix of Captain and Coke is titled I Have Committed a Great Rudeness.
Michaels also offers a few lesser-seen shochu cocktails, which blend the vodka-like spirit with fruit flavors and affix a gummy bear on the rim. Some of these so-called Shochu Gummies can be a little cloying—the lychee is rather like bubble gum—so better to go with the Rano Pano, which blends gin with pickled watermelon in a refreshing sweet, tart, and spicy burst. It's already a frontrunner for 2011's Official Summer Drink—and it might even help loosen up that pachinko wrist.
![]() |
| photo by Lars Swanson |
Masu Sushi & Robata is state's most impressive sushi joint
It's a Japan grand slam
By Rachel Hutton
published: June 08, 2011
Can somebody explain the pachinko machines at Masu Sushi & Robata? They look rather like smaller, vertically oriented pinball games, decked out with videos of Speed Racer and Godzilla. There are knobs to spin and buttons to push, but how these things influence the little metal ball's pinging off pegs and zipping through chutes is something of a mystery.
Masu's mini pachinko parlor, along with its bright geisha imagery, traditional sake barrels, and cartoon-like Munny dolls, are elements that Shea's design team selected to replicate the energetic rush of urban Japanese culture. But the restaurant's concept is actually much simpler than its flamboyant decor: join several powerful culinary forces to create the state's most comprehensive Japanese restaurant.
The Twin Cities already has its fair share of excellent Japanese restaurants, each with their various distinctions. Origami, for example, is home to first-rate sushi. Midori's Floating World Cafe serves exquisite noodle soups, while Tanpopo offers immaculate teishoku, or set meals. Moto-i is known for brewing its own sake, and Obento-Ya excels in robata, skewered foods cooked over tiny charcoal grills. Masu's menu is as deep as it is wide. Its extensive sushi list is only the beginning. The restaurant serves four types of noodles, prepared 14 ways, plus six teishoku options and nearly 30 different robata.
Masu's backbone is Sushi Avenue, a family-owned company that helps upscale supermarkets, universities, and other large food service operations (Whole Foods, Hamline, Target Corporate) implement sushi programs by supplying chefs, recipes, and ingredients. When Sushi Avenue made its first foray into the restaurant business, the company tapped the James Beard-awarded chef Tim McKee to help develop the concept and menu. McKee made his name founding La Belle Vie, but lately his impact on the Twin Cities dining scene has been steadily increasing as he consults for other restaurateurs, handpicking high-level talent and helping kitchens elevate their ambitions.
Masu's menu is split in two, and each half has its own head chef. Katsuyuki Yamamoto, who also goes by A-san, manages the sushi operations and is easy to spot—he's got a shaved head, rectangular glasses, and typically a little salt-and-pepper stubble—methodically slicing fish and shaping rice behind the sushi counter. Yamamoto grew up in Japan before moving to Minnesota in the mid-1990s and then working at Origami for 15 years.
Yamamoto's menu offers sashimi and nigiri, plus five types of makizushi, or rolled sushi (thin rolls, fat rolls, rice-on-the-outside rolls, as well as "rolls" made with rice shaped into balls or stuffed into tofu pockets). He covers all the bases, from basic cucumber rolls to daring sea urchin sashimi to the trendy, overstuffed Rainbow and Firecracker rolls.
Masu is the first local Japanese restaurant to source fish with mindfulness toward sustainability, a subject McKee became interested in when he opened Sea Change in the Guthrie. So the kitchen doesn't offer the typical sushi restaurant's bluefin tuna or yellowtail—both labeled "avoid" by the Monterey Seafood Watch—and instead replaces them with several fish rarely, if ever, seen on other local sushi menus.
Sardines are one such fish that's worth discovering. They're a very ecologically sound selection but often overlooked due to their robust fishy flavor. Masu's chefs prepare the sardines with a traditional cure of salt, vinegar, and citrus—they're rather like pickled herring and surprisingly good. Arctic char is another good bet for its salmon-like fattiness and mild flavor. If ordered temari-style, the pale pink fish slices wrap around the rice as tightly as a pitcher's grip on a fastball. The balls are topped with thin lemon crescents to cut the fish's richness, and they're awfully tempting to pop down the hatch in one jaw-straining bite. The restaurant wasn't able to find an eco-friendly source of freshwater eel, or unagi, so the staff created what they call faux-nagi—striped bass that's prepared in a similar style, topped with a tangy, barbecue-like sauce, and slightly charred. (The bass doesn't re-create the eel's uniquely unctuous texture, but it's an impressive facsimile and can be eaten without the guilt of unagi's conscience-troubling origins.) Glistening slices of salmon come from a responsibly managed Scottish sea farm and will leave the lips just as oil-glossed as their wild-caught cousins.
Masu's sushi prices are fairly reasonable, with the omakase sushi assortment offering the best value (it's available for parties of two or more, for $18 per person). The only downside is that the kitchen's selections tend to incorporate many sushi staples, such as California rolls and spicy tuna, and it's a shame not to sample more of the unusual items. Don't miss the mackerel hosomaki (thin roll) that cuts the fish's muskiness with green onion and pickled radish. The BTL futomaki (fat roll) pairs crispy salmon skin with lettuce, tomato, basil, and mayonnaise to mimic the fatty-smoky-salty-juicy qualities of the sandwich. Fresh, briny crab and sesame seed can be ordered as inarizushi, stuffed into a deep-fried tofu pocket that complements the seafood's sweetness.
Rice forms the foundation of great nigiri sushi and rolls, and Masu's kitchen attends to the details, buying and carefully washing expensive, premium rice. As a result, the grains come out plump yet not gummy, holding together as elegantly as an English dry stone wall.
Chef Alex Chase oversees the second half of the menu, which includes the noodle, robata, and teishoku selections. Chef Chase took an early interest in Japanese culture when he went to the country as a teenage exchange student. After returning to the United States, Chase worked in the sushi kitchens at Saji-ya, Fuji-ya, and Martini Blu before going to the Culinary Institute of Arts in New York. He later worked at the fine-dining restaurants Vincent, Au Rebours, and La Belle Vie, and even squeezed in a stint as a commercial fisherman.
Masu's izakaya-style snacks include the ubiquitous gyoza and agedashi tofu, as well as more obscure items, such as dried squid. The sautéed shishito peppers are a favorite, with their oil-kissed, blackened jackets and sweet, grassy flesh. The peppers are covered in katsuobushi (dried fish flakes) and square salt crystals that look as pretty as snowflakes. Give yourself five minutes and you'll have nothing left but a pile of stems.
The robata are also good for snacking. The little bites of meat and vegetables are infused with a deep smokiness after being cooked on skewers over wood-fired charcoal grills. They're tasty and cute, especially the bacon-and-quail-egg and bacon-and-tofu options, but they'll run up the bill faster than they'll fill your stomach.
Let noodles play that role. In Japan, ramen is everywhere—it's the country's equivalent of the American street-cart hot dog—but authentic ones are hard to find in the Twin Cities. Masu orders its ramen fresh from a California supplier that tailors the noodles to their precise specifications of flavor, delicacy, and springiness. The noodles are served in heady stocks—roasted animal bones, meat, and vegetables simmered for half a day—that make a far richer broth than the contents of the little foil Top Ramen seasoning packet. One of the best, and most gut-stretching, ways to enjoy the ramen is in a curry-spiked broth paired with a breaded, deep-fried pork cutlet called tonkatsu, Chinese broccoli, and a soft poached egg. The udon noodles are thicker, chewier bands, and Masu's Ja-Ja-Men preparation tops the wavy strands with a spicy blend of eggplant and ground pork that's rich and hearty enough to be considered a sort of Japanese Bolognese.
The teishoku meals offer the most variety, as they pair a main dish with several sides, including textbook tempura and a variety of robata. The Wa-Fú hamburger teishoku is a home-style dish that presents a Japanese take on the American icon. A beef patty is seasoned with bits of ginger, garlic, and onion, plus teriyaki sauce and chili paste. The meat's steaky flavor is complemented by Japanese mushrooms and an umami-rich dashi gravy. You'd never miss the lettuce, tomato, and pickles. Dousing the thing in ketchup would be sacrilegious.
So far, no one's won the big jackpot on Masu's pachinko machines—apparently the secret to success involves putting just the right twist on the dial. Perhaps something from the extensive cocktail list, designed by local drinks guru Johnny Michaels, might assist in honing one's technique? The cocktail choices include riffs on familiar drinks, such as an elderflower martini and a ginger-plum margarita, as well as beverages that express Michaels's signature wit—the Lucky Millionaire Mojito comes garnished with a scratch-off lottery ticket; a mix of Captain and Coke is titled I Have Committed a Great Rudeness.
Michaels also offers a few lesser-seen shochu cocktails, which blend the vodka-like spirit with fruit flavors and affix a gummy bear on the rim. Some of these so-called Shochu Gummies can be a little cloying—the lychee is rather like bubble gum—so better to go with the Rano Pano, which blends gin with pickled watermelon in a refreshing sweet, tart, and spicy burst. It's already a frontrunner for 2011's Official Summer Drink—and it might even help loosen up that pachinko wrist.
Wednesday, June 8, 2011
Mill Valley Kitchen Now Open!
Yesterday, Shea's latest restaurant design, Mill Valley Kitchen, opened to the public. So far, people are loving the food, service and atmosphere. Our client Craig Bentdahl told us today that "the most common reaction upon walking in is "Wow!""
Writer Jim Welte, editor for Patch.com based in Mill Valley, California, took an interest in our Minnesota restaurant bearing the name of his small town and spoke with Bentdahl about his inspiration for the concept. His article is here:
Mill Valley-Inspired Restaurant Opens Today – in Minnesota
Former banking executive launches farm-to-table eatery in the new Ellipse on Excelsior development in St. Louis Park.
By Jim Welte
June 7, 2011
A restaurant focused on farm-to-table cuisine with locally sourced ingredients opened today in a suburb of Minneapolis, looking to our little neck of the woods for its inspiration and moniker.
Craig Bentdahl, the former CEO of Minneapolis-based Excel Bank, opened the 5,000-square-foot Mill Valley Kitchen today, drawing inspiration “from the great farm-to-table restaurants of the San Francisco Bay Area and the wine country of Napa and Sonoma.”
Bentdahl hired executive chef Mike Rakun, who has held executive kitchen positions with the St. Paul Hotel, Mission American Kitchen and Truluck’s Restaurant Group in Florida, to develop the menu and manage daily operations.
“Mill Valley Kitchen is a comfortable place to enjoy unique dishes that are straightforward, delicious and good for you,” says Rakun. “More than ever, consumers are paying attention to where their food comes from and how it is prepared, and they are looking for more honesty and transparency from the sources that provide it.”
The farm-to-table movement has a variety of origins and pioneers, namely Alice Waters’ Chez Panisse in Berkeley.
So why did Bentdahl choose Mill Valley for the name?
In an email, he acknowledged the Bay Area’s connection to the farm-to-table movements and healthy cuisine in general, and that he liked that Mill Valley is a “beautiful, quaint and prosperous town. “
“I also liked the sound of ‘Mill Valley’ – it sounds a bit like ‘Organic Valley’ - and the history of milling in Minneapolis gives Mill Valley a familiar ring here,” he said, noting that Minneapolis is often referred to as Mill City.
Mill Valley Kitchen seats 165 people inside and another 25 on an outdoor patio. It serves breakfast, lunch and dinner seven days a week. Dinner entrees include Duroc pork tenderloin with coconut sweet potato and apple jam or Chilean seabass with gingered-shitake quinoa and a sweet and sour cucumber salad.
Lunch and dinner items include a long list of interesting salads, unique flatbreads and burgers (Minnesota bison, grass-fed beef or gluten-free vegan). It also features wines by the glass and bottle with an emphasis on the vineyards of Northern California.
The 411: Mill Valley Kitchen, 3906 Excelsior Blvd., Minneapolis, MN 55416; 952-358-2000.
Writer Jim Welte, editor for Patch.com based in Mill Valley, California, took an interest in our Minnesota restaurant bearing the name of his small town and spoke with Bentdahl about his inspiration for the concept. His article is here:
| Mill Valley Kitchen |
Former banking executive launches farm-to-table eatery in the new Ellipse on Excelsior development in St. Louis Park.
By Jim Welte
June 7, 2011
A restaurant focused on farm-to-table cuisine with locally sourced ingredients opened today in a suburb of Minneapolis, looking to our little neck of the woods for its inspiration and moniker.
Craig Bentdahl, the former CEO of Minneapolis-based Excel Bank, opened the 5,000-square-foot Mill Valley Kitchen today, drawing inspiration “from the great farm-to-table restaurants of the San Francisco Bay Area and the wine country of Napa and Sonoma.”
Bentdahl hired executive chef Mike Rakun, who has held executive kitchen positions with the St. Paul Hotel, Mission American Kitchen and Truluck’s Restaurant Group in Florida, to develop the menu and manage daily operations.
“Mill Valley Kitchen is a comfortable place to enjoy unique dishes that are straightforward, delicious and good for you,” says Rakun. “More than ever, consumers are paying attention to where their food comes from and how it is prepared, and they are looking for more honesty and transparency from the sources that provide it.”
The farm-to-table movement has a variety of origins and pioneers, namely Alice Waters’ Chez Panisse in Berkeley.
So why did Bentdahl choose Mill Valley for the name?
In an email, he acknowledged the Bay Area’s connection to the farm-to-table movements and healthy cuisine in general, and that he liked that Mill Valley is a “beautiful, quaint and prosperous town. “
“I also liked the sound of ‘Mill Valley’ – it sounds a bit like ‘Organic Valley’ - and the history of milling in Minneapolis gives Mill Valley a familiar ring here,” he said, noting that Minneapolis is often referred to as Mill City.
Mill Valley Kitchen seats 165 people inside and another 25 on an outdoor patio. It serves breakfast, lunch and dinner seven days a week. Dinner entrees include Duroc pork tenderloin with coconut sweet potato and apple jam or Chilean seabass with gingered-shitake quinoa and a sweet and sour cucumber salad.
Lunch and dinner items include a long list of interesting salads, unique flatbreads and burgers (Minnesota bison, grass-fed beef or gluten-free vegan). It also features wines by the glass and bottle with an emphasis on the vineyards of Northern California.
The 411: Mill Valley Kitchen, 3906 Excelsior Blvd., Minneapolis, MN 55416; 952-358-2000.
Tuesday, June 7, 2011
Crave patio is now open!
The newest Crave in downtown Minneapolis just opened their massive rooftop patio equipped with its own kitchen and bar. Check out this cool 2 minute time-lapse video of its construction.
Thursday, June 2, 2011
Hennepin Theatre Trust makes a move to City Center
We're excited to be working with our friends at Hennepin Theatre Trust on their new venture: moving their headquarters to City Center and adding a new theater to the first floor space. We worked with them a few years back on branding the theaters and the district (see the photo below for some of our designs.) The Business Journal has the details on the City Center deal. Read on...
Hennepin Theatre Trust to open City Center site
Minneapolis / St. Paul Business Journal - by Sam Black
Date: Wednesday, June 1, 2011, 11:29pm CDT
Hennepin Theatre Trust, which runs the historic State, Orpheum and Pantages theaters, is developing a 300-seat performance space on the first floor of the City Center retail complex in downtown Minneapolis.
The so-called New Century Theatre will hold a variety of events, from small plays to concerts to educational and corporate events.
It is an unusual move for a shopping center to convert space into a live theater venue, but an experiment worth trying considering the vacancies that have plagued City Center over the past decade, especially on the first floor.
The Theatre Trust is leasing about 12,000 square feet for the performance space, a ticket office and its headquarters.
Brookfield Office Properties, which owns the City Center, will move its property-management office from that space and into the adjacent office tower, 33 South Sixth.
New Century Theatre will have typical theatrical lighting, sound equipment and stage. It also will have upholstered chairs that can easily be rearranged.
“It’s going to be a black-box theater, with some flexibility in it,” said Tom Hoch, president and CEO of Hennepin Theatre Trust, which will relocate its headquarters of about 5,000 square feet of office space it leases at LaSalle Plaza in Minneapolis.
Live theater at the mall?
Hennepin Theatre Trust’s space should bring some energy to the largely bare first floor of City Center.
The organization has had great success with the theaters it operates, bringing life and vitality to Hennepin Avenue, said David Sternberg, senior vice president at Brookfield’s Minneapolis office. He expects some of that success will help City Center.
“They’re a great partner and the building is just thrilled to have them here,” Sternberg said.
The theater will bring some interest and activity to the building in the evenings and add to traffic at the restaurants, he said.
With this lease, City Center’s retail space is more than 80 percent occupied, up from 50 percent in 2006, the year Brookfield spent $18 million fixing up the 370,000-square-foot enclosed mall.
Only three retailers remain from before renovation: Office Depot, Marshalls and Starbucks. The rest, including Au Bon Pain, Leann Chin, Fogo de Chao, Brooks Bros. and a Len Druskin Outlet, are all new.
Brookfield has done a great job repositioning City Center, Hoch said. “People who have not walked through City Center really need to.”
Hoch would know. He’s been a lifelong Minneapolis resident. He serves on the Minneapolis Downtown Council and is chairman of the Minneapolis Downtown Improvement District. Before he joined the Theatre Trust in the 1980s, he worked for the city of Minneapolis’ planning and economic development department.
Hennepin Theatre Trust wouldn’t move into City Center if he didn’t think it was a good fit.
“I don’t really feel like I’m taking somebody’s hand-me-downs,” he said. “I think it is the perfect place for what we want to do.”
Construction on the theater will start in June and the first show will premiere after Labor Day. Minneapolis-based Greiner Construction Inc. is the general contractor. The lead architect is Minneapolis-based Shea Inc.
Hoch declined to share construction costs or financial terms of the 10-year lease deal.
Brookfield put City Center up for sale last month along with 33 South Sixth. The Chicago office of Eastdil Secured, a New York-based subsidiary of Wells Fargo & Co., is listing the property for sale. Hoch doesn’t expect a sale to affect Hennepin Theatre Trusts’ new space.
Moving shows from Hennepin Stages
The organization plans to shift some of the programs it previously produced at the Hennepin Stages theater to City Center.
The city sold Hennepin Stages, at 824 Hennepin Ave., to the Brave New Workshop in April for $725,000. The sale prompted Hennepin Theatre Trust to look for a new home for Hennepin Stages’ programming, such as “Girls Only” and “A Don’t Hug Me Christmas Carol.”
Hennepin Theatre Trust also plans use the New Century Theatre for its education and community programs, cabarets, workshops and its SpotLight Musical Theatre Program, which hands out awards to high school musical theater students from around Minnesota.
The New Century Theatre will have a sign on City Center’s Hennepin Avenue entrance. It will have a Hennepin address, too, which was an important detail for Hoch because it helps tie the location to the theaters along the avenue.
The new venue’s name is in honor of the Century Theatre, a former movie house that once stood where Minneapolis Marriott City Center sits today. Century Theatre opened in 1929, survived the Great Depression and several sweeping changes in movie technology, but was destroyed by a fire in 1965.
The Star Tribune covered the breaking news also, with a photo from their archives of the historic Century Theatre.
New theater will reclaim old space in Minneapolis
by Graydon Royce, Star Tribune
The Hennepin Theatre Trust is building a performance space in the heart of downtown Minneapolis. The organization will fashion new offices in City Center at the end of this month and build an adjacent 300-seat theater.
Publicist Karen Nelson said the move is part of the Trust's mission to help revitalize Hennepin Avenue. The nonprofit, which manages the city's big downtown theaters, has been looking for space that could accommodate offices and provide a flexible-seating performance space.
The new space will be called New Century Theatre, in homage to the Century Theatre -- one of four historic theaters that used to operate near S. 7th Street and Hennepin Avenue S.
Performances will begin "sometime next fall," Nelson said. Programming would be similar to what the Trust offered at Hennepin Stages, such long-run comedies as "Girls Only" and the "Don't Hug Me" franchise. Nelson said the Trust also will use the space for the Spotlight Musical Theatre program, cabarets, workshops and the Broadway Confidential series. Drawings of the theater are not yet available, but it will be on the street level at City Center, across from the big lobby on 6th Street.
The original theater opened in 1908 as a 2,000-seat vaudeville house called the Miles. It was rebuilt several times and eventually was dubbed the Century Theatre in 1929. It closed and reopened often until it was retooled to seat 1,145 and transformed into the Century Cinerama in the mid 1950s. "Cleopatra" in 1963 and "The Unsinkable Molly Brown" were two of the final movies shown there. The Century burned in 1964 and was bulldozed the following year.
Hennepin Stages was sold this spring to Brave New Workshop, which will redevelop that space at 824 Hennepin Av. S. in advance of a fall opening.
Graydon Royce • 612-673-7299
.
Hennepin Theatre Trust to open City Center site
Minneapolis / St. Paul Business Journal - by Sam Black
Date: Wednesday, June 1, 2011, 11:29pm CDT
Hennepin Theatre Trust, which runs the historic State, Orpheum and Pantages theaters, is developing a 300-seat performance space on the first floor of the City Center retail complex in downtown Minneapolis.
The so-called New Century Theatre will hold a variety of events, from small plays to concerts to educational and corporate events.
It is an unusual move for a shopping center to convert space into a live theater venue, but an experiment worth trying considering the vacancies that have plagued City Center over the past decade, especially on the first floor.
The Theatre Trust is leasing about 12,000 square feet for the performance space, a ticket office and its headquarters.
Brookfield Office Properties, which owns the City Center, will move its property-management office from that space and into the adjacent office tower, 33 South Sixth.
New Century Theatre will have typical theatrical lighting, sound equipment and stage. It also will have upholstered chairs that can easily be rearranged.
“It’s going to be a black-box theater, with some flexibility in it,” said Tom Hoch, president and CEO of Hennepin Theatre Trust, which will relocate its headquarters of about 5,000 square feet of office space it leases at LaSalle Plaza in Minneapolis.
Live theater at the mall?
Hennepin Theatre Trust’s space should bring some energy to the largely bare first floor of City Center.
The organization has had great success with the theaters it operates, bringing life and vitality to Hennepin Avenue, said David Sternberg, senior vice president at Brookfield’s Minneapolis office. He expects some of that success will help City Center.
“They’re a great partner and the building is just thrilled to have them here,” Sternberg said.
The theater will bring some interest and activity to the building in the evenings and add to traffic at the restaurants, he said.
With this lease, City Center’s retail space is more than 80 percent occupied, up from 50 percent in 2006, the year Brookfield spent $18 million fixing up the 370,000-square-foot enclosed mall.
Only three retailers remain from before renovation: Office Depot, Marshalls and Starbucks. The rest, including Au Bon Pain, Leann Chin, Fogo de Chao, Brooks Bros. and a Len Druskin Outlet, are all new.
Brookfield has done a great job repositioning City Center, Hoch said. “People who have not walked through City Center really need to.”
Hoch would know. He’s been a lifelong Minneapolis resident. He serves on the Minneapolis Downtown Council and is chairman of the Minneapolis Downtown Improvement District. Before he joined the Theatre Trust in the 1980s, he worked for the city of Minneapolis’ planning and economic development department.
Hennepin Theatre Trust wouldn’t move into City Center if he didn’t think it was a good fit.
“I don’t really feel like I’m taking somebody’s hand-me-downs,” he said. “I think it is the perfect place for what we want to do.”
Construction on the theater will start in June and the first show will premiere after Labor Day. Minneapolis-based Greiner Construction Inc. is the general contractor. The lead architect is Minneapolis-based Shea Inc.
Hoch declined to share construction costs or financial terms of the 10-year lease deal.
Brookfield put City Center up for sale last month along with 33 South Sixth. The Chicago office of Eastdil Secured, a New York-based subsidiary of Wells Fargo & Co., is listing the property for sale. Hoch doesn’t expect a sale to affect Hennepin Theatre Trusts’ new space.
Moving shows from Hennepin Stages
The organization plans to shift some of the programs it previously produced at the Hennepin Stages theater to City Center.
The city sold Hennepin Stages, at 824 Hennepin Ave., to the Brave New Workshop in April for $725,000. The sale prompted Hennepin Theatre Trust to look for a new home for Hennepin Stages’ programming, such as “Girls Only” and “A Don’t Hug Me Christmas Carol.”
Hennepin Theatre Trust also plans use the New Century Theatre for its education and community programs, cabarets, workshops and its SpotLight Musical Theatre Program, which hands out awards to high school musical theater students from around Minnesota.
The New Century Theatre will have a sign on City Center’s Hennepin Avenue entrance. It will have a Hennepin address, too, which was an important detail for Hoch because it helps tie the location to the theaters along the avenue.
The new venue’s name is in honor of the Century Theatre, a former movie house that once stood where Minneapolis Marriott City Center sits today. Century Theatre opened in 1929, survived the Great Depression and several sweeping changes in movie technology, but was destroyed by a fire in 1965.
The Star Tribune covered the breaking news also, with a photo from their archives of the historic Century Theatre.
![]() |
| Photo: Roy Swan, Minneapolis Star |
by Graydon Royce, Star Tribune
The Hennepin Theatre Trust is building a performance space in the heart of downtown Minneapolis. The organization will fashion new offices in City Center at the end of this month and build an adjacent 300-seat theater.
Publicist Karen Nelson said the move is part of the Trust's mission to help revitalize Hennepin Avenue. The nonprofit, which manages the city's big downtown theaters, has been looking for space that could accommodate offices and provide a flexible-seating performance space.
The new space will be called New Century Theatre, in homage to the Century Theatre -- one of four historic theaters that used to operate near S. 7th Street and Hennepin Avenue S.
Performances will begin "sometime next fall," Nelson said. Programming would be similar to what the Trust offered at Hennepin Stages, such long-run comedies as "Girls Only" and the "Don't Hug Me" franchise. Nelson said the Trust also will use the space for the Spotlight Musical Theatre program, cabarets, workshops and the Broadway Confidential series. Drawings of the theater are not yet available, but it will be on the street level at City Center, across from the big lobby on 6th Street.
The original theater opened in 1908 as a 2,000-seat vaudeville house called the Miles. It was rebuilt several times and eventually was dubbed the Century Theatre in 1929. It closed and reopened often until it was retooled to seat 1,145 and transformed into the Century Cinerama in the mid 1950s. "Cleopatra" in 1963 and "The Unsinkable Molly Brown" were two of the final movies shown there. The Century burned in 1964 and was bulldozed the following year.
Hennepin Stages was sold this spring to Brave New Workshop, which will redevelop that space at 824 Hennepin Av. S. in advance of a fall opening.
Graydon Royce • 612-673-7299
.
Wednesday, June 1, 2011
Best of Plymouth...Shea got an "A"!!
Each year, Plymouth magazine polls the members of the Plymouth community to determine the 25 Best Places in Town. Then, just for fun, the editors throw in one more and offer up the "ABCs of Plymouth." It was pretty cool to dive into the list and find Shea, Inc. right at the top, or "Letter A," if you will. Thanks to the residents of Plymouth for choosing us! Check it out.
Best of Plymouth 2011
A is for Abode
From inspiration for places like the Plymouth Ice Arena to the local Famous Dave’s, the design philosophy of Shea Inc. focuses on the whole package, rather than nitpicking individual elements. Tanya Spaulding, a principal for Shea, says, “We look at every space and see what kind of experience we want to create.” For Best Interior Designer, we have David Shea to thank for making area workplaces like second homes; thank goodness employees aren’t stuck in a beige box all day!
B is for Brain-freeze
As in the delicious kind you get when you indulge in one of Cold Stone Creamery’s many delicious treats. Winner again of Best Dessert, this place shows what dedicated ice cream connoisseurs Plymouthites can be. New in 2010: Gold Cone flavor of the month, which for June is chocolate hazelnut.
C is for Creative and Colorful
Bachman’s has a wide array of floral offerings, and its bouquet department is a surefire go-to when you’re in need of that live and lively mood freshener (or last-minute gift). That’s why you picked it for Best Florist in town. We present to you the Beach Ball bouquet ($150).
D is for Dirt-digging
And it’s for Dundee Nursery and Landscape, too!Plymouth has notoriously heavy clay soil, and landscape designer Sarah Lloyd says concerns about how to deal with it lead to the top three requests you bring to the table: redoing and updating the plantings around the house (foundation plantings), redoing the front entryway and installing back patio space. Since Dundee designers specialize in landscape planting—trees, shrubs, perennials and annuals, hardscape construction—retaining walls, patios and walkways, and novelty features—fire pits, water features and accent lighting. Hot this season are the new dwarf shrubs. “People love dwarf versions of things because they won’t have to spend any time pruning or trimming them to keep them the right size,” Lloyd says. “Everyone wants low/no maintenance these days. If that dwarf shrub can pack a punch of color or have something unique about it, all the better.” Plymouthites also continue to expand their living spaces outside, and thus order outdoor fireplaces. “These are being made into kits of all shapes and sizes, and are thus getting more and more affordable,” she says. “I just have always been very environmental … I enjoy designing and installing patios and fire pits because they are elements in the landscape that encourage people to get out in their yards and spend some time enjoying the fresh air and their surroundings.”
For the rest of the list, visit http://plymouthmag.com/article/business/best-plymouth-2011
Best of Plymouth 2011
Your votes decide the 25 best places in town, and we add one more just for fun (aka: the ABCs of what’s best in Plymouth ). By: Maureen Kroening and Jessica Tam | Laura Haraldson | June 2011
A is for Abode
From inspiration for places like the Plymouth Ice Arena to the local Famous Dave’s, the design philosophy of Shea Inc. focuses on the whole package, rather than nitpicking individual elements. Tanya Spaulding, a principal for Shea, says, “We look at every space and see what kind of experience we want to create.” For Best Interior Designer, we have David Shea to thank for making area workplaces like second homes; thank goodness employees aren’t stuck in a beige box all day!
B is for Brain-freeze
As in the delicious kind you get when you indulge in one of Cold Stone Creamery’s many delicious treats. Winner again of Best Dessert, this place shows what dedicated ice cream connoisseurs Plymouthites can be. New in 2010: Gold Cone flavor of the month, which for June is chocolate hazelnut.
C is for Creative and Colorful
Bachman’s has a wide array of floral offerings, and its bouquet department is a surefire go-to when you’re in need of that live and lively mood freshener (or last-minute gift). That’s why you picked it for Best Florist in town. We present to you the Beach Ball bouquet ($150).
D is for Dirt-digging
And it’s for Dundee Nursery and Landscape, too!
For the rest of the list, visit http://plymouthmag.com/article/business/best-plymouth-2011
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